The Bloodhouse
A film about "The Big Australian", B.H.P.
In the 1930's, Australian Iron and Steel and B.H.P. commenced a massive program
of industrial expansion at Port Kembla, Wollongong, in Australia.
The unemployed made homes out of the discarded packing cases in which the
equipment had arrived from England. A large shanty town grew up in the shadow
of the works. The hungry men would gather around the gates desperate for work.
They waited for the whistle to blow.
The sounding of the whistle meant that somebody inside the plant had been
injured, or perhaps killed. So there would be a new job available. By the time
the victim's blood had been washed away, the replacement would be on the job.
Consequently, the Port Kembla steelworks quickly became known as the
"Bloodhouse".
As B.H.P. would not allow cameras inside the steelworks, the footage of the
appalling working conditions has to be shot guerilla style without official
approval.
The power of big companies like B.H.P. deeply affects the Australian economy,
environment, living standards and quality of life. The film describes the
effects of highly developed capitalist industry the environmental pollution,
the disregard for the conditions of the workers who produce the wealth but do
not share in it, and the exploitation of migrant workers who were lured into a
job at B.H.P. by the false promises promoted in immigration programs.
The main research for this film came from the mouths of B.H.P. workers
themselves, from the warfies and ironworkers.
The documentary delves into the political economy of monopoly capitalism in the
Australian context. The "Big Australian" is exposed as having extensive links
with foreign capital and other big monopolies.
This film is relevant to anyone interested in worker's safety, class struggle,
migrant workers, political economy and, of course, Australia's richest, most
powerful company, The B.H.P.
A film by Garry Lane (16mm, 24 minutes)
Narration written by Humphrey McQueen (and Garry Lane)
With thanks to Martha Ansara, Chris Tillum, and Larry Zetlin
The film premiered at the Sydney Filmmakers' Cooperative in 1976
Available Australian Centre for the Moving Image in Melbourne and the National
Film and Sound Archive, Canberra, Australia.
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