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Category: #collectionfishing

Can you help us? Circus Elephants

Stubbersfield Family Collection/Queensland Rail

This photo was one of seven recently donated to Fryer Library, each depicting railway related history from Queensland. The elephants belonged to Wirths' Circus, which travelled Australia by train from the earliest days of the railways in the 1880s up until the circus' demise in 1963.

Established in the late 1800s, the depression of the 1890s sent the company overseas for seven years, touring South Africa, South America, India and the United Kingdom. On the way back to Australia in 1900, Wirths' picked up the first of their many elephants.

In addition to providing entertainment in the ring, the elephants served a practical purpose. Up until the 1950s, they were also used for loading and unloading the circus wagons (pictured in the centre of this photo) from the train, and hauling them to the site where the circus would set up. The train shown at far right is likely the circus train; the carriage on the back of the train resembles photos held elsewhere showing the specially modified carriage the elephants travelled in.

This photo is believed to date from around 1917, and was taken somewhere on the North Coast Line. The matt surrounding the photo is labeled 'Acme Studio, Nambour', and a scribbled caption on the back reads 'Nambour (before 1913)', but the photo does not appear to show Nambour station. The State Library of New South Wales holds a similar photo, probably taken a few minutes after ours.

If you know anything further about this photo, or can identify where it was taken, we would love to hear from you. You can email fryer@library.uq.edu.au, or telephone 07 3365 6236.

Further information on the history of Wirths', the elephants and the circus trains can be found in Circus: the Australian story and Jim Fogarty presents the wonder of Wirths.

-- Penny Whiteway

Collection Spotlight for September: election ephemera

The Fryer Library's collections of Queensland political organisations and student activists groups are supported by a growing collection of 'ephemera', which is library-speak for written or printed material that is usually created for a short-term purpose.

Political ephemera collected by Fryer ranges from how to vote cards, posters, buttons, bumper stickers, and t-shirts, to a newly acquired Kevin Rudd tote bag. These collections are still referred to as the 'Fryer Vertical Files' (FVFs), a reference to the filing cabinets they were once stored in.

FVFs cover all levels of politics, including federal, state, local, student as well as referenda, and also represent a wide range of organisations across the political spectrum. A selection of early ephemera has been digitised and is available to view on UQ eSpace.

In particular, Fryer's tradition of collecting material from student politics and campus groups provides unique insights into the fundamental - sometimes controversial - political issues of each generation. Many files capture the reaction of young people and students to the Vietnam War, women's rights, the Springbok tour during apartheid, Aboriginal land rights, and Queensland political figures, such as Joh Bjelke Petersen.

This year, we are continuing the tradition by collecting ephemera from the recent student and federal elections. Who knows what future researchers will make of this material?

A small sample of our recent collecting from the federal & student elections

-- Amanda Winters & Elizabeth Alvey.

Melbourne Rare Book Week 2013

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For those lucky enough to be in Melbourne for rare book week, (18 - 28 July, 2013) there are a host of free exhibitions, talks, and the ANZAAB rare book fair.

For a fix of rare books closer to home, why not browse through Fryer's rare book collection? Our collection consists of over 4 500 titles. It ranges from Decretales cum apparatu domini Bernardi et lucubrationibus Hieronymi Clarii, (a 1493 incunable of canon law by Pope Gregory IX published in Nuremburg; believed to be one of the oldest printed books held in Queensland libraries) to pulp fiction.

Previously published online highlights include:

The Hayes Collection of Ancient Coins

During September 1967, Archdeacon Edward Leo Hayes made the arrangements which saw his vast collection of books, manuscripts, documents, anthropological and geological specimens and assorted realia sent to the University of Queensland. The collection left an invaluable legacy to UQ's Fryer Library and anthropology museum.

In the fiftieth anniversary of UQ's RD Milns Antiquities Museum, Senior Museum Officer James Donaldson outlines Father Hayes' contribution to the Antiquities Museum's collection of ancient coins.

***

The Hayes collection of ancient coins consists of fifty one individual coins. In 1979, when first added to the museum collection, they represented a significant increase to the number and range of the museum's coin holdings; the donation remains the largest single coin donation in the museum's history.

In particular, the Hayes coins represent a substantial part of the museum's late Roman collection. Of the twenty emperors represented in the Hayes coins (from Hadrian to Justinian), ten of these, including notable figures such as Commodus, are not represented by any other coin in the collection.

The oldest coin in the collection is a bronze Tetradrachm from Alexandria, minted in 112 AD by the Emperor Trajan, while the youngest coin dates to 602 AD and was minted in Byzantium by the emperor Justinian I (pictured).

Image courtesy the RD Milns Antiquities Museum

One of the most interesting coins from the Hayes collection is a small Roman coin called a Follis, depicting on the front, the goddess Roma wearing a helmet and cloak and on the back, the Roman she-wolf suckling Romulus and Remus (below). This type was minted by the emperor Constantine the Great around 330-331 AD and matched issues commemorating the foundation of Constantinople (modern Istanbul) as the capital of the eastern Roman Empire.

Image courtesy the RD Milns Antiquites Museum

Coins from the Hayes collection have been used in teaching activities for the last 35 years. Countless school students from Brisbane and many generations of undergraduate students have used these coins in their studies of the ancient world.

- James Donaldson.


The R.D. Milns Antiquites Museum is open to the public 9 am to 5 pm, Monday to Friday and is located on Level 2 of UQ's Michie Building. The current exhibition Then and Now: Fifty years of antiquities 1963 to 2013 explores the history of the museum and the people who have shaped its collection. For more information visit the museum's new website.

Collection Spotlight for July: Six Alice things before breakfast

In which the Fryer library unearths five versions of Alice's Adventures in Wonderland and transcribes a holograph of a note about a piano.

This weekend Oxford will transform into Wonderland, to commemorate the afternoon of July 4 in 1862, when Charles Lutwidge Dodgson first told a story of Alice's adventures under ground to the three Liddell sisters.

In 1865, it was published as Alice's Adventures in Wonderland by Lewis Carroll, with illustrations by John Tenniel. Countless versions have followed: from facsimiles of the Underground manuscript (now available online from the British Library) to film adaptations and iPad editions.

So this July, we enter the rabbit warren of Fryer collections to discover some of Alice's Adventures in the antipathies, err, the antipodes…

Alice's Adventures in Wonderland

1. Alice in the Hayes Collection

I shall have to ask them what the name of the country is, you know. Please Ma'am is this New Zealand? Or Australia?1

There are at least two copies of Alice that arrived at Fryer from the Hayes collection. Both copies date from the 1890s and attest to the universal popularity of the title during this period. The first, simply entitled Alice in Wonderland is a mass produced edition by The Children's Press (London) with contemporary, comical illustrations by New Zealander Harry Rountree. It is charmingly inscribed with the owner's name and her town, 'Oakey'.


It is easy to mistake the text of the second example as Looking-glass language, but it is in fact a textbook copy of Alice, complete with Tenniel illustrations, in intermediate shorthand. (For a similar example, see the SS&H copy of Alicia in terra mirabili).

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2. In The George Sampson Collection (UQFL50, box 1, items 6a and 6b)

Before George Sampson, fellow of the Royal College of Organists, immigrated to Brisbane to become the organist and choirmaster of St John's Cathedral Brisbane, he offered to assist a certain CL Dodgson purchase a piano: Mr Dodgson specifies 'a really good "cottage" Broadwood' for his cousin Mrs Hitchcock.

A holograph of the letter from Dodgson (and of a letter authenticating the original letter) remains in Fryer's collection of Sampson's correspondence.

'I'VE been to a day-school, too,' said Alice; 'you needn't be so proud as all that.'
'With extras?' asked the Mock Turtle a little anxiously.
'Yes,' said Alice, 'we learned French and music.'
'And washing?' said the Mock Turtle.
'Certainly not!' said Alice indignantly2.
3. In one dear land

The artist and historian George Collingridge is believed to be one of the first Australian artists to adapt Alice.

Alice in one dear land follows Alice through the rabbit hole to Alice Springs, where she meets Australian counterparts to Wonderland characters, such as native bear, bower bird, lyre bird, and emu. Similarly, the text attempts to echo the nonsense and word play of the original; albeit with a distinctly Australian flavour (Alice will eat anything the native bear will choose, the native bear chews gum leaves). However, the most successful element is Collingridge's distinctive woodcuts as illustrations, which portray Alice in bush landscapes.

Fryer's edition is a handmade book with tipped in plates (including colour illustrations) believed to have been privately published in 1922.

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4. Alitji in Dreamland

It is calculated that the Pitjantjatjara language version Alitjinya Ngura Tjukurmankuntjala is the forty-fourth translation of Alice's Adventures in Wonderland. In Alitji in Dreamland the story unfolds in parallel text, English and Pitjantjatjara. A tired Alitji, sitting in the creek bed playing a story telling game with her sister, suddenly sees a white kangaroo…

Fryer holds two editions of this text: the first edition produced by the University of Adelaide (1975) and a second edition with colour illustrations by Donna Leslie (1992).

5. In a Wonderland, created by Charles Blackman

"The white rabbit came into the kitchen and helped me cook the dinners"

-Charles Blackman3

Another Alice, in the Fryer collection, was published in 1982 accompanied by the illustrations of Charles Blackman. An important Australian artist and member of the Antipodeans group, he is most famous for his School days and Alice in Wonderland series. The fiftieth anniversary of the Alice paintings was celebrated by the NGV in 2006.

The catalogue from this exhibition is also held by Fryer; it describes how the paintings drew inspiration not only from the Carroll's text, but from Blackman's personal experience.

6. In looking-glass country
6. In looking-glass country

Now often combined with Alice's Adventures in Wonderland, the sequel, Through the Looking-Glass and what Alice found there was equally as popular when published in 1871; still being reprinted in 1877 by Macmillan. This "forty-fourth thousand" printing is the last to include the incorrect chess diagram, which Dodgson discovered and pressed his publisher to correct by reinstating the missing kings. (The incident is documented in Lewis Carroll and the house of Macmillan4.)

The edition contains fifty classic Tenniel illustrations and of course, Alice's memorable encounter with the White Queen, where she is encouraged to believe impossible things:

'I daresay you haven't had much practice,' said the Queen. 'When I was your age, I always did it for half-an-hour a day. Why, sometimes I've believed as many as six impossible things before breakfast'5.

Through the Looking Glass and what Alice found there

Interested in Alice?

The annotated Alice
The Alice behind wonderland
• The diaries and letters of Lewis Carroll
The place of Lewis Carroll in children's literature
The Illustrators of Alice in Wonderland and Through the looking glass
Alternative Alices: visions and revisions of Lewis Carroll's Alice books

References

1. Alice in Alice's Adventures in Wonderland (1865).
2. Alice in Alice's Adventures in Wonderland (1865).
3. Charles Blackman quoted in the 'Introduction' to his Alice's Adventures in Wonderland by Nadine Amadio (1982) Reed, Wellington, p.7.
4. Cohen MN & Gandolfo A , eds, (1987) Lewis Carroll and the House of Macmillan, Cambridge, pp. 147-8.
5. The White Queen in Through the Looking-Glass and what Alice found there (1871).

Collection spotlight: Brisbane City Hall

Brisbane City Hall is now open again, after three years of restoration work. The Museum of Brisbane has opened several new exhibitions on Level 3 of the building, and guided tours and rides to the top of the clock tower are once again possible.

City Hall was originally constructed between 1925 and 1930, at a cost of £1,000,000. The Fryer Library holds an album of photographs taken by Bertha Mobsby which beautifully charts the building's progress. We've compiled the photos into a short video, so you can literally watch the building grow:

Bertha Mobsby was the daughter of photographer Henry William Mobsby, and was one of Queensland's early female photographers and cinematographers. Her album is part of the Daphne Mayo Collection (UQFL119). Mayo was a sculptor who created many works art located around Brisbane, including the tympanum and concert hall frieze in Brisbane City Hall.

To consult any of the Fryer's research collections, simply contact fryer@library.uq.edu.au or visit the Fryer reading room on the fourth floor of the Duhig Tower (building 2), St Lucia Campus.

Harmony Day, March 21

The theme for this year's Harmony Day is Many Stories - One Australia.

The Department of Immigration and Citizenship, who organises the celebrations of Harmony day each year on the 21st of March, describes the importance of sharing stories in celebrating Australia's diversity:

Let's go beyond the cover of the book and wander through the pages of each other's story. It's a way we can learn and understand.

With this year's emphasis on sharing stories, we wanted to share some Fryer materials which contain stories of diversity in Australia:

International Women's Day

Friday, the 8th of March is International Women's Day. Celebrated internationally on this date since 1913, Women's Day recognises women for their achievements, reflects on past struggles and accomplishments, and looks forward "to the opportunities that await future generations of women".

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Women rally during 1912 strike, Brisbane
Papers of Constance Healy,
UQFL 191, Box 12, Folder 9.

Women and gender studies is a key collecting area for Fryer Library. You can view an overview of Fryer collections related to International Women's Day at our online exhibition or discover specfic collections in our Guide to manuscripts on Women in Politics and History.

UQ undergraduates in 1922

As the 2013 academic year commences and UQ campuses welcome new students this week, here is the 'undergraduate look' from ninety-one years ago, courtesy of the Fryer Library University of Queensland photograph collection.

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Day students, University of Queensland 1922. More information about this photo is included in its UQ eSpace record.

You can browse a selection of digitised images from this photograph collection on UQ eSpace. Enjoy market day!

Happy Birthday, Bram Stoker

8 November marks 165 years since author Bram Stoker was born in Dublin, Ireland. Fryer Library holds two letters written by Stoker. The first dates from December 1884 and was sent to Edmund Hodgson Yates; the other dates from July 1903 and was sent to Edmund's son, Edmund Smedley Yates.

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Shown here is a portion of the 1884 letter. Stoker and Yates knew each other through the theatrical business; at this point in his life, Stoker was working as personal assistant for English actor/manager Sir Henry Irving and as business manager of the Lyceum Theatre, owned by Irving. Irving was in America between September 1894 and April 1895, and Stoker sent this letter from the Bellevue Hotel in Philadelphia. Correspondence with Irving is also held in the Yates collection.

These two documents are part of a collection of over 600 letters held in the Edmund Yates collection (UQFL314). A print guide to the papers was compiled by Peter Edwards and Andrew Dowling and is available in the Fryer reference collection as well as via UQ eSpace. The Stoker/Irving correspondence is part of a wider collection of theatre-related correspondence within the collection.

Another significant set of letters covers journalism (Yates was co-founder of weekly newspaper The World); further information on the journalistic side of the collection can be found in the article by Peter Edwards published in Found in Fryer: stories from the Fryer Library collection.

- Penelope Whiteway.

Melbourne Cup Day

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For this week's #collectionfishing theme of horses, we discovered a volume of Melbourne Cup stories "from grave to gay, from lively to severe". Shimmer of Silk, by Robert P Whitworth and W A Windus, was purportedly the book of the season in 1893!